Difference between revisions of "Finite Automata"
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Performances by the band are often full-scale productions, with the band often bringing their own lighting crew, equipment, props, costumes and volunteer cast of actors. The band's performances often feature themes of control, greed, vanity, torture, fatalism and helplessness. During the band's Recurse years, Eschar would often be "tormented" by various masked figures throughout the performance. The theatrics often make liberal use of stage blood and feature strange contraptions and masks sculpted and created by Eschar himself. Recently the group has taken a more dystopian and apocalyptic style in regards to their stage presentation. | Performances by the band are often full-scale productions, with the band often bringing their own lighting crew, equipment, props, costumes and volunteer cast of actors. The band's performances often feature themes of control, greed, vanity, torture, fatalism and helplessness. During the band's Recurse years, Eschar would often be "tormented" by various masked figures throughout the performance. The theatrics often make liberal use of stage blood and feature strange contraptions and masks sculpted and created by Eschar himself. Recently the group has taken a more dystopian and apocalyptic style in regards to their stage presentation. | ||
| − | Late 2010 saw a marked change in the band's Modus Operandi, as they began moving away from their previous influences and began to incorporate more modern elements into their overall sound. Both Eschar and (c.) Grendel have cited the reasoning as being a desire to not be compared to their influences, and to grow as musicians, as well as have the music more accurately articulate their ideas. | + | Late 2010 saw a marked change in the band's Modus Operandi, as they began moving away from their previous influences and began to incorporate more modern elements into their overall sound. Both Eschar and (c.) Grendel have cited the reasoning as being a desire to not be compared to their influences, and to grow as musicians, as well as have the music more accurately articulate their ideas. |
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== Discography == | == Discography == | ||
Revision as of 18:13, 19 April 2011
| Finite Automata | |
|---|---|
 Finite Automata performing live in 2009 in Mobile, Alabama.
| |
| Origin | Pensacola, FL |
| Genres | Post-Industrial Electro-Industrial Experimental Aggrotech |
| Influences | Skinny Puppy, Front Line Assembly, Front 242, Project Pitchfork, Cabaret Voltaire, Hexen Prozess, Psyclon Nine, Columbine, Mind Altering Substance, The Ludovico Technique |
| Years Active | 2006-Present |
| Labels | unsigned |
| Associated Acts | Transfer Case Vimana Cult Wizard Cock |
| Website | www.myspace.com/finiteautomata |
| Members | Mod Eschar (c.) Grendel Mat Pathetic 2007-2008, 2010-Present Thomas Carpenter 2010-Present |
| Former Members | Vik Martinez (Live 2008-2009) |
Finite Automata is a Pensacola based electro-industrial and aggrotech group. Their sound has been noted as fusing elements of EBM, darkwave, elecktro, and dark ambient. They are known locally for their highly confrontational live performances which feature the use of strange contraptions, sharp objects, candles, wire, and various props. They are also known for their disturbingly fatalistic approach when dealing with the subject matter of their material, which is often rabidly introspective and politically charged.
Contents
Background
The band came together as a chaotic side project in mid-2006 and was plagued by line-up changes, with front-man Mod Eschar (Dom Price) the only consistent member until early April of 2007, when he was approached by c. Grendel (Christopher Stanley) who expressed interest in helping with the project. Grendel became Finite Automata's primary keyboardist and composer, with Mod arranging sequences and providing snarled growling vocals.
In September of the same year the two were joined by Ex-Pathetics guitarist Mat Pathetic; who became the band's gadgetrist and primary guitarist. Pathetic contributed to the song Filth In Eyes; a confrontational piece inspired by the band's disagreement with the activities of Westboro Baptist Church and religious bigotry in general. Porter left the band in early 2008 due to conflicting musical interests with c. Grendel and Pathetics's then repeated tardiness to practice and recording sessions due to his own responsibilities at the time.
Pathetic was replaced by Vic "Vik" Martinez in September of 2008, who added some unorthodox guitar work and provided a much needed third layer to the band's overall sound. In addition to contributing bass guitar lines to their song "Caustic", Martinez also incorporated elements of bass synth and live sample triggering to the band's live performances. However a falling out with Mod and scheduling conflicts forced Martinez's departure in December 2009. As a result, former gadgetrist Mat Pathetic stepped in to replace Martinez for the band's then upcoming "Dogma Eye" tour. Following their appearance at the Orlando based 'Florida Underground Industrial Music Festival', Mat Pathetic once again became the band's permanent Guitarist and Gadgetrist. In mid 2010, legal problems briefly forced his departure for a few months. Later that year they were joined by their second keyboardist and arranger Thomas Carpenter.
In late 2010, the band was rumored to have broken up, however Mod Eschar confirmed that the band was indeed on temporary hiatus due to personal difficulties. The group has since returned to the studio to begin work on their first official release.
The group has gained a modest following in the Pensacola music scene, however this is often overshadowed by acts of other genres. The group makes infrequent appearances due to the enormous amount of planning and scale required for their performances. They have played local venues such as Sluggo's, End of the Line Cafe, and The Handlebar. The band has played shows with local acts such as User Assumes Risk and Vomit Gun. The band recently performed at the Florida Underground Industrial Music Festival in Orlando Florida with notable acts in the genre such as The Ludovico Technique, Cyanide Regime, and Spider Lilies. The band has also performed with En Esch, Mona Mur, and Slick Idiot.
The groups name comes from a term in computer science relating to finite state machines. The band uses the name as an allusion to human behavior being primitive or predictable in nature. [1]
Style
Finite Automata's overall style is much akin to bands of the same genre, most notably Skinny Puppy and Frontline Assembly earlier on, and incorporating more of an Aggrotech influence later in their career. Most works have a deep, dark layered sound incorporating elements of the 80's post-industrial scene and more modern elements of Industrial Rock, Terror Noise, and Dark Ambient. Percussion tracks are often forged out of found material and recorded sounds which are spliced and altered to give them their characteristic harshness.
Mod Eschar's vocal and lyrical influences include Nivek Ogre, Peter Spilles, and Rozz Williams. The subject matter of the music is often convoluted as Eschar's lyrical style is often recited from an observational point of view, lending to the ambiguous nature of the band's lyrical content.
Performances by the band are often full-scale productions, with the band often bringing their own lighting crew, equipment, props, costumes and volunteer cast of actors. The band's performances often feature themes of control, greed, vanity, torture, fatalism and helplessness. During the band's Recurse years, Eschar would often be "tormented" by various masked figures throughout the performance. The theatrics often make liberal use of stage blood and feature strange contraptions and masks sculpted and created by Eschar himself. Recently the group has taken a more dystopian and apocalyptic style in regards to their stage presentation.
Late 2010 saw a marked change in the band's Modus Operandi, as they began moving away from their previous influences and began to incorporate more modern elements into their overall sound. Both Eschar and (c.) Grendel have cited the reasoning as being a desire to not be compared to their influences, and to grow as musicians, as well as have the music more accurately articulate their ideas.
Discography
- Cochlear Trauma and Assorted Rehearsals (2008) (unreleased)
- Recurse (2010) (unreleased)
- Untitled Album (2011)
References
- ↑ Finite Automata. Last FM (2009-06-15). Retrieved on 2009-08-12.
